Alexander N. Scriabin (1872–1915) like P.I. Tchaikovsky was the first among Russian composers who even during his lifetime became very famous and attained universal recognition.
Many cities of Russia and those of foreign countries – Moscow, St. Petersburg, London, Paris, New York, Brussels, etc. – witnessed the triumph of the premieres of his pieces and concerts.
The memory in the form of open letters on the composer's residence in many different places has been well preserved in the archives of the Moscow Memorial Museum named after him. By virtue of those letters one could trace the geography of musical travels carried out by the great author of "Poem of Ecstasy".
Switzerland
Switzerland is one of those countries often visited by Scriabin. He first visited it during his first trip abroad in 1895. It was organized by Mitrofan P. Belyaev, Scriabin’s benefactor, friend and publisher.
Scriabin gave recitals in Switzerland and its various cities, lived there for several months. One of those places is Beatenberg. In 1907 the composer worked here on his famous "Poem of Ecstasy"/ During his visit in the summer of 1912 the composer wrote Three Etudes Op. 65
Lausanne occupies a special place in the fate of the Scriabin’s family. The city heard several times the music of the Scriabin performed by the composer himself. Since the end of 1907 he lived here for several months. In Lausanne the composer completed the score of “Poem of Ecstasy” and sent it to the printing house in Leipzig. His Fifth Sonata was also completely written here.
The last time Scriabin visited these places in the autumn of 1913. At that period his father, the famous diplomat Nikolai A. Scriabin, was here in the service. For the first time the composer together with his father visited the grave of his mother who was buried not far from Lausanne, in Arco. From Lausanne Scriabin sent letters and postcards to Moscow. In one of them, Nikolai A. Scriabin in 1913 sent a New Year's greetings to his granddaughter Ariadne.
Germany
During his lifetime Scriabin visited Leipzig for several times. One of the best and oldest printing houses of the world functioned in the city. M.P. Belyaev for a number of years published the works of Scriabin there.
In January 1908 Scriabin visited Hupfeld’s company in Leipzig to record his own compositions – the Second and Third Sonatas, some preludes, etudes and other pieces – for their subsequent replaying on a mechanical piano. Thanks to these recordings the listeners of our days could get some idea of Scriabin's performing technics.
Belgium
Brussels was one of the first cities to applaud Scriabin during his first concert tour in Europe in 1896. As they wrote it in the newspapers the composer "for two hours kept the elite audience listening to him under the spell of a strict, distinct, nervous and rich in colors performance".
Later on the fortune for several times brought Scriabin to the city. Here the composer began work on his genius creation – the symphonic poem “Prometheus. The poem of fire”. The score of the poem for the first time in history included the innovatory party of light (Italian “Luce”).
France
At the turn of 19th and 20th centuries Paris was a trendsetter in the art fashion and it was equally the world’s musical capital. Young Scriabin played his first concert abroad in January 1896 in the Erard Hall in Paris. And Paris very soon recognized him: “We met,” they wrote in the newspapers, “with an exceptional personality, an excellent composer and pianist, a great person and philosopher; he is naturally the both – an impulse and a sacred flame".
In the future the composer has more than once visited Paris. Here on May 16/29, 1905 the stunning premiere of Scriabin's Third Symphony took place. The composer entitled it “Divine Poem” and it was conducted by the famous Arthur Nikish.
Russia
In the beginning of 1910 Scriabin returned to his motherland. In spring of the same year he was invited to take part in an unprecedented hitherto in Russia grandiose concert tour through the cities on the bank of Volga River. The organizer of the tour was famous conductor Sergei Kusevitsky who for this end hired a comfortable steamboat, invited the Bolshoi Theater Orchestra, a group of soloists. Scriabin was the most peculiar one among them.
Yaroslavl was one of the first Volga River cities where Kusevitsky and Scriabin with an big orchestra gave a concert. The city was excited. The success was huge.
A concert tour organized by Kusevitsky in the cities on the Volga River bank with a symphonic orchestra and the participation of Scriabin was not only a huge event in the cultural life of the Russian province but also left a lot of vivid impressions on that cultural life of the province in the trip participants.
Thus Tatiana F. Schlötzer-Scriabina, who visited almost all the largest cities in Western Europe, wrote: “Uglich is one of the most amazing cities I've ever seen”.
Symphonic concerts by Sergei Kusevitsky with the participation of Scriabin through the Volga River cities in 1910 evoked a huge resonance in each of them.
Newspapers wrote about unprecedented, outstanding events in the cultural life of those cities, especially pointing out that Scriabin himself was playing in the concerts. One of the concerts was held in Tsaritsyn.
USA
In the early 1910s the fame of the composer and pianist Sсriabin stepped over the ocean. In December 1906 Alexander N. Scriabin arrived in the United States where he spent almost 4 months giving his recitals in different cities. “Every day,” – Scriabin wrote in a letter – “articles about me appear... A publisher here reprinted my nocturne for left hand and it was disseminated in thousands ... I enjoy a huge popularity here”.
At the end of February 1907 Tatiana F. Schlötzer-Scriabina came to see Scriabin in New York but she settled in another hotel. Her thoughts were addressed to Alexander Scriabin and she sent him greetings on a postcard with a symbolic landscape: two sails striving towards each other...
Netherlands
Amsterdam is another European capital that applauded Scriabin on the occasion of his first concert tour in 1896 and which the composer subsequently visited several times.
The last time Scriabin visited Netherlands in October 1912 and gave several concerts with huge success in Amsterdam, The Hague, Harlem in cooperation with the famous Dutch conductor Willem Mengelberg,. Various pieces, a piano concert as well as First Symphony were performed by the author.
About the project
The exhibition was prepared by the Scriabin Museum in 2019
Project Manager Alexander Lazarev
Scientific Curators Valentina Rubtsova Vladimir Popkov
Curators Elvira Zelenina Oksana Sanzharova
Funds Valentina Kolnikova Julia Kharkova Oksana Dubrovina